Ralph Stanley’s self-titled DMZ/Columbia album only arrived at No. The young artist secures the Hot 100’s fastest-growing track at radio with “Complicated,” which soars 30-18. Avril Lavigne’s Arista debut “Let Go” received a rare 12% boost to 70,000 units, but suffers a minor chart drop, falling 8-10. 3, while Donell Jones’ “Life Goes On” (Untouchables/Arista) dipped 32% and slides 3-9.
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The “Totally Hits 2002” compilation (Warner Music Group/BMG) drops 14% to 117,000 units, allowing the album to slip one place to No. Three of last week’s four newcomers manage to remain in the top-10 of The Billboard 200, and one even saw a sales increase. 57, and jam band Widespread Panic’s “Live in the Classic City” (Sanctuary) at No. 31, the soundtrack to “Disney’s Lilo & Stitch” (Walt Disney) at No. 29, the Who’s “Ultimate Collection” (UTV/MCA) at No. Other newcomers include Raphael Saadiq’s “Instant Vintage” (Universal) at No. Cashing in on the hit MTV show is “The Osbourne Family Album” (Epic), arriving one position ahead of Bowie at No. “Heathen” also earns Bowie his best chart position since 1984’s “Tonight,” which peaked at No. The album’s first single, “My Friends Over You,” is steadily climbing the Modern Rock chart, up 40-32 this week.ĭavid Bowie has his strongest sales performance on The Billboard 200 in the 12-year SoundScan era, as “Heathen” (ISO/Columbia) sold 55,000 units to land at No. The band’s fan base has grown tremendously since its last, self-titled set opened at No. 4 with “Sticks and Stones” (Drive-Thru/MCA) on sales of 91,000 units. The other top-10 debut comes from New Found Glory, which makes an impressive debut at No. 4 on both Billboard’s Modern and Mainstream Rock Tracks charts. The first track from “Untouchables,” “Here to Stay,” is the band’s first top-5 hit at rock radio, peaking at No. The new set’s debut week is lower than the 574,000 units moved during the first week of its last set, 1999’s “Issues,” but the latter benefited from its release during the Christmas season, when sales are generally higher. Korn, which has sold more than 10 million copies of its four previous albums in the U.S., leads two debuts into the top-10 of The Billboard 200. It’s Eminem’s highest position on the Hot 100 his “The Real Slim Shady” peaked at No.
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Meanwhile, his single “Without Me” reaches a new peak position on Billboard’s Hot 100, jumping 4-2 this week after a strong boost in radio play in crossover markets. While the Eminem album suffered a 35% sales hit, the set sails to its fourth-straight week atop Billboard’s Top R&B/Hip-Hop Albums tally, and has sold more than 2.9 million units in just over three weeks. The Web/Aftermath/Interscope album easily maintains its grip atop The Billboard 200, as Korn’s long-awaited Immortal/Epic set arrives at No. Eminem’s “The Eminem Show” held off a rampant charge from Korn’s “Untouchables,” selling an impressive 530,000 units in its third full week, according to Nielsen SoundScan.